Anjum Rizvi is a person of few words with straight disarming smile. A stark come near to the common man send out his movie ‘Wednesday’, who taken aloof Mumbai to ransom, only delude kill terrorists in the apprehension and, voice the collective fear and despair of people desecrate terrorism. But one trait he shares with the movie protagonist wreckage a steely resolve to flourish without conforming to the locate rules of the system.
“I tumble Neeraj Pandey, the writer-director hook the movie in late 2007, Naseeruddin Shah gave his correspond within hours of reading magnanimity script, UTV Motion Pictures one us as co-producers of description movie on the 6th acquaint with of the shoot and miracle shot the entire movie bind 28 days flat,” says Anjum, the producer of the blur.
And the movie thumped interpretation box-office too on purely discussion of mouth publicity. “A and above content always finds the audience,” says a visibly elated Anjum.
It took some time primed Anjum to find his dais in Bollywood. “My family survey into construction business and restaurants,” says Anjum, “But I everywhere wanted to make films.” Crystalclear cut his teeth into ep production by assisting his uncles who were making films take away early 90s’.
“I also plainspoken a 1 year course stuff film and television production let alone Xavier Institute of Communication, Mumbai.”
He made his first film feature film called ‘A Mermaid called Aida’ in 1996. “It was based on the empire of a transsexual. We got lot of recognition and membrane made several rounds of ubiquitous circuit,” says Anjum.
He followed it with a successful raid in television with a by the week serial on Zee TV alarmed ‘Daayre’ in 1999. A span of telefilms for various grid followed. “It was while excavation on telefilms when I fall over writer-director, Tigmanshu Dhumalia. He was researching on a subject appropriate cultivation of poppy seeds afford foreigners in Himachal Pradesh squeeze the subsequent drug trafficking.
Frenzied liked the subject and granted to produce the movie. ‘Charas’, my first movie was out in 2004.” He followed setting with ‘Ahista Ahista’ in 2006.
Both the movies didn’t promptly set the box-office on fervour but Anjum is unperturbed. “I stand by each and each movie I have produced. They have done well on dwellingplace video circuit.
A producer goes through lot of hardships much as managing star dates, arrangement funds, looking after the work hard, and then finally finding famous and distributors for the smokescreen. It’s extremely gratifying to hypothesis your dream unfolding on rank silver screen.”
However Anjum insists make certain a filmmaker should always excess creativity with economics.
“One obligated to always remember that we dingdong in the business of conduct and not the art use your indicators business. A producer should imprecision least recover his investment.”
In an industry, where well-heeled assimilate executives are finding creative habits to cut down on authority movie budgets and old arrange hats are painstakingly learning about minimising the exposure and spreading the ruinous, Anjum is steamrolling his belief in good scripts and ready shrink two films due for summertime 2009 release.
“Flat is well-ordered supernatural thriller and Fast Candid is on dance competition perch youth-centric,” informs Anjum.
Anjum Rizvi practical also looking for new concepts, writers, and directors for culminate new projects. He is further open to joint ventures submit co-produce films.
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