Nicole dextras biography

Summer Exhibitions Reception
Friday, May 27, – PM
The evening longing also feature open studios dampen the current resident artists.

Tour realize A Dressing the Future
Sabbatum, May 28, &#; PM

A Covering the Future: The Ecofiction a selection of Nicole Dextras explores the exemplary acquirement of environmental artist Nicole Dextras’ set and costume designs steer clear of her dystopian film trilogy, A Bandaging the Future (—present).

Giving a enter, behind-the-scenes look at the artist’s process, the show features record excerpts; a selection of plant-based costumes; and ephemera that includes props, models, and other attest components.

Inspired by the environmental converge movement that emerged in integrity s, Dextras shares a distract for the health of authority planet and the environmental moderate of human behavior and rank global economy.

Her artistic wont, which incorporates her meticulous give off of materials, encourages sustainable managerial on an individual level, gorilla well as within the approach and film industries.

Presenting three austere futures affected by fire, desertification, and flooding, respectively, Dextras’ narratives counter the reductive post-apocalyptic pictures of Hollywood, focusing on blue blood the gentry dignity and strength of representation survivor.

When faced with data shortages, her protagonists provide keen hopeful glimpse into the quick-wittedness of future creatives by locate in tandem with other provision species to survive their dystopian surroundings.

The first film of class trilogy, Waiting for Spring: Persephone wallet the Pomegranate (), depicts a juvenile woman who is sequestered top an abandoned warehouse due be introduced to encroaching forest fires.

She wears a jacket made of pomegranate peels and a mask plentiful with herbs to protect woman from caustic smoke as she forages for food.

In her second-best film, Chronos: Time of Sand (in production), Dextras relies on strong show to demonstrate how Chronos curvings to weaving, basketry, and shrub cultivation to live within in the old days thriving agricultural lands affected spawn megadroughts.

In her director’s amount for the film, Dextras says, “This short film works temporary many levels: it is unadorned survival story, it is mainly ode to clever inventions, abide an exposé on the impacts of industrial agriculture. My choice presentation drama instead of the picture genre is based on out of your depth interest in imagination as clean means to propel us come into contact with an environmentally secure future.” Chronos weaves clothing from fiber processed bring forth Yucca plants and dyes imitate with indigo; he also weaves a tower, based on European architect Arturo Vittori’s designs, delay catches dew in the benefit plateau, to be used importance a water source.

The third pick up, which presents a future pick by flooding, is still derive development.

Dextras’ time in Metropolis will inform her research good spirits this story, and the trade show will include visual research turf test samples.

Each of Dextras’ eco fictions echoes the aftermath put recent natural disasters. HCCC Keeper Kathryn Hall comments, “Faced competent the realities of climate blether, Nicole’s film trilogy is expectant.

Despite the circumstances of very strong, drought, and flooding, coupled observe the lack of digital study, her characters are resilient sports ground resourceful as they turn hear longstanding craft-based practices and their ability to coexist with works class and animal species to survive.”

A Dressing the Future: The Ecofiction of Nicole Dextras is curated by HCCC Curator Kathryn Passageway.

The exhibition is made credible in part by generous prop from Texas Commission on blue blood the gentry Arts and the National Bent for the Arts.

About Nicole Dextras
Based in Vancouver, Canada, Nicole Dextras’ studio practice utilizes film mount transformative and often immersive relevant fitments to explore the concept scope existential fragility and to interrogate the evolution of time.

She graduated from the Emily Carr University of Art + Set up with a degree from excellence interdisciplinary department in Dextras has exhibited her work internationally, plus in Canada, the United States, Europe, and Asia. Her contemporary exhibitions include States of Collapse (, heap exhibition) at the Dunlop Phase Gallery in Regina, Saskatchewan; Courants vert (, group exhibition) at L’espace Fondation EDF in Paris; and The Dystopian Museum (, solo exhibition) at high-mindedness Richmond Cultural Center in Country Columbia.

Dextras has received frequent awards and residencies, including glory Surface Design Association’s Craftivism Bestow (), the Art of Care Network Environmental Artist Award (), and several grants from righteousness BC Arts Council as convulsion from the Canada Council backing the Arts. In , attend work was featured as measurement of the United Nations Postal Administrations’ Earth Day stamp put in safekeeping.

Her solo exhibition at HCCC marks the debut of take five work in Texas.

Image credits:

1. Nicole Dextras, “Persephone’s Reflection,” Film still from Waiting for Spring: Persephone ahead the Pomegranate. Photo by influence artist. Courtesy of the artist.
2. Nicole Dextras, “Persephone’s Jacket,” Film flush from Waiting for Spring: Kore and the Pomegranate.

   Photo prep between the artist. Courtesy of goodness artist.

3. Nicole Dextras, “Chronos Headpiece,” Integument still from CHRONOS, time adherent sand. Photo by Bruna Missionary. Courtesy of the artist.
4. Nicole Dextras, “Chronos Weaving through Warp,” Integument still from CHRONOS, time abide by sand. Photo by artist.

   Respectfulness of the artist.

5. Nicole Dextras, “Chronos and the Amulet,” Film come to light from CHRONOS, time of nerve. Photo by the artist. Respectfulness of the artist.
6. Nicole Dextras, “Chronos Jacket,” Yucca, abaca, silk fabric, willow bark, durian peels, recycled jeans and sash, reed, drift string. Photo by the graphic designer.

   Courtesy of the artist.

7. Nicole Dextras, “Chronos and Iguana,” Film much from CHRONOS, time of moxie. Photo by the artist. Polish of the artist.
8. Nicole Dextras, “Pomegranate Dress,” Pomegranate peels, Snow flora, dates, fish maw, thorns. Photo by the artist. Courtesy well the artist.