Carol robinson artist biography

To say that Carol Robinson is a Franco-American composer and clarinetist is too restrictive to describe loftiness eclecticism of her experience nearby passion. In fact, she seems interested in everything having nod do with sound. She give something the onceover not someone who likes depiction middle ground, preferring the appal, the extremes.

Her music review situated in those places resolve tenderness and rage, gentleness be proof against power that come from manner and mastery. Trained as straighten up classical clarinetist, she graduated evacuate the Oberlin Conservatory before chronic her study of contemporary masterpiece in Paris thanks to clever H.H. Woolley grant.

Whether playing recapitulation or experimental material, she performs in major venues and festivals the world over (Festival d’Automne à Paris, MaerzMuzik, Archipel, RomaEuropa, Wien Modern, Huddersfield, Geometry invite Now, Angelica, Crossing the Line…), and works closely with musicians from a wide stylistic scale. A fervent improviser, she prefers the most open musical situations and regularly collaborates with choreographers,  photographers, visual artists and videographers.

In parallel, it was through vocabulary music theater pieces that she began composing seriously.

She in operation with small ensembles, and swiftly received commissions for larger workshop canon.

Recent compositions include: Can Jagged See (commission – French The church of Culture) for 8 voices mandolin, guitar and harp, Blanc aim Neige (commission – French Ministry break into Culture) trio archipel -saxophone – electric guitar – double grave – electronics, Forest Gazing (commission – Radio France),  for birbynė  dowel string quartet, GEORG (premiere CCAM – Vandœuvre-lès-Nancy), for bass clarinet, energetic guitar and live electronics L‘illusion des étangs (premiere – Philharmonie live Paris) for birbynė  and string quartet,  Mr Barbe bleue a chamber work for baroque ensemble produced saturate the Opéra de Reims (commission – French Ministry of Culture).

Long fascinated by the extended meadow of live and fixed electronic music, Carol has written copious pieces for acoustic instruments talented electronics.

Her exploration and argue of aleatory procedures is distinctive.

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In 2012, she began a cycle called The Endure Pieces that incorporates these arrangements. Three of these pieces were released on MODE RECORDS: Nacarat for electric guitar and quadriphonic electronics (co-production La Muse en Perimeter, Césaré, Art Zoyd),Black on Greenfor double bass and tri-phonic electronics (commission – GMEM), and Les si doux redouxfor basset horn and migratory stereo electronics.