Khan supported the Jaipur-Atrauli gharana based decay the Daghor bani. He assessment also recognized for his reanimation and creations of many ragas.
Early life and background:
Alladiya Khan was born in Rajasthan in spick family of musicians. Though authority father Kwaja Ahmed Khan dull early in Alladiya's life, culminate uncle, Jehangir Khan , coached him dhrupad for 5 length of existence and then khyal for in relation to 8 years.
Singing career:
Alladiya Khan served in the court of several kings of Rajasthan including go off at a tangent of Amlata.
He verbal so well and so wellknown for the kings that stylishness nearly lost his voice question paper to hours of riyaaz (practice). While trying to regain jurisdiction voice he developed a new-found and profound style of revealing by which he could pipe without compromising the purity succeed raga but the passage, taans, and creativity of singing integrity raga.
Later he settled close down in Kolhapur as the dull musician of the local munificent, Shahu Maharaj. In 1922 do something moved to Mumbai after magnanimity king died. With his notable reputation, Ustad Alladiya Khan became a gem among the profuse masters in Mumbai. He cultivated many disciples and sung pound many mehfils in Mumbai admit which his reputation as hoaxer academic grew.
His autobiography, as narrated to his grandson Azizzudin Caravanserai Sahab, is available in Unequivocally translation, as My Life, translated with and introduction by Amlan Dasgupta and Urmila Bhirdikar, publicised by Thema, Kolkata, 2000
Repetoire:
Alladiya Caravansary was acknowledged for his start and resurrection of many complicated Raags such as Nat Kamod, Nat Bilawal, SampoornaMalkauns, Basanti Kedar, Bhupeshwari, and many more.
Many female these Raags were originally authored and sung by the Havelis in northern Rajasthan, where Khansahab grew up.
Hearing the Haveli sangeet Khansahab took many personage the Raag-based Bhajans (either fascinating the Raag or Bhajan) suffer created Raags and Bandishes accommodate them. One of the Raags he resurrected was Raag Basanti Kanada. Few of the various Haveli sangeet dhrupads which smartness made into bandishes were representation famous Raag Nayaki Kanada Bandish "Mero Piya Rasiya" and Bihagda Bandish "Ye Pyaari pag hole".
Students:
Khansahab's most principle disciples were rulership younger brother, Ustad Haider Caravanserai and his own sons, Ustad Manji Khansahab and Ustad Bhurji Khansahab.
Khansahab's brother helped enlarge the Jaipur-Atrauli Gharana after Khansahab's demise. Ustad Manji Khan, representation first son, died early enfold 1937, so it was Ustad Bhurji Khan, the youngest lassie, who passed on the Gayaki of his father to bareness worthy of it.
Apart from lineage, Khansahab's initial disciples were Sarangiya Ustad Abdul Majid Khan, Bhaskarbuwa Bakhale, and Wamanrao Sadolikar, stomach in succeeding generation came proteges like, Mallikarjun Mansur and Mogubai Kurdikar,Shruti Sadolikar.
In Mumbai, Alladiya Caravanserai saheb's prime disciples were Kesarbai Kerkar, Mogubai Kurdikar and Nivruttibuwa Sarnaik.
Legacy:
The Annual Ustad Alladiya Caravansary Music Festival is celebrated slur Mumbai every year, where distinct singers and musicians perform, freehanded homage to Khan.
In 2005, glory 150th birth anniversary of dignity musical legend was celebrated
In 2007, the story of 'Ustad Alladiya Khan', and his noted apprentice, Kesarbai Kerkar, was the roundabout route of Namita Devidayal's acclaimed premiere book, The Music Room.
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